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In recent years, Parks has been the subject of a number of solo exhibitions, all accompanied by illustrated publications, organized by the Gordon Parks Foundation with other institutions. and the Virginia Museum of Fine Arts, Richmond. ParksвЂ™s work is in the permanent collections of major museums, among them the Art Institute of Chicago the Baltimore Museum of Art the Cincinnati Art Museum the Detroit Institute of Arts the International Center of Photography, the Metropolitan Museum of Art, and the Museum of Modern Art, all in New York the Minneapolis Institute of Art the Museum of Fine Arts, Houston the Saint Louis Art Museum the Smithsonian National Museum of American History, Washington, D.C. They also helped rally support for the burgeoning civil rights movement, for which Parks himself was a tireless advocate as well as a documentarian. His most famous images, for instance American Gothic (1942) and Emerging Man (1952), capture the essence of his activism and humanitarianism and have become iconic, defining their generation. Parks would remain at the magazine for two decades, covering subjects related to racism and poverty but also fashion and entertainment, and taking memorable pictures of such figures as Muhammad Ali, Malcolm X, Adam Clayton Powell, Jr., and Stokely Carmichael.

His 1948 photo essay on the life of a Harlem gang leader won him widespread acclaim and a position as the first African American staff photographer and writer for Life. Around this time, he was also a freelance photographer for Glamour and Ebony, which expanded his photographic practice and further developed his distinct style. In 1944, Parks left the OWI to work for the Standard Oil CompanyвЂ™s photo documentary project.

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His extraordinary pictures allowed him to break the color line in professional photography while he created remarkably expressive images that consistently explored the social and economic impact of poverty, racism, and other forms of discrimination. Working for these agencies, which were then chronicling the nationвЂ™s social conditions, Parks quickly developed a personal style that would make him among the most celebrated photographers of his era. Despite his lack of professional training, he won the Julius Rosenwald Fellowship in 1942 this led to a position with the photography section of the Farm Security Administration (FSA) in Washington, D.C., and, later, the Office of War Information (OWI).

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After buying a camera at a pawnshop, he taught himself how to use it. Parks was also a distinguished composer, author, and filmmaker who interacted with many of the leading people of his era-from politicians and artists to athletes and other celebrities.Д«orn into poverty and segregation in Fort Scott, Kansas, in 1912, Parks was drawn to photography as a young man when he saw images of migrant workers in a magazine. He left behind an exceptional body of work that documents American life and culture from the early 1940s into the 2000s, with a focus on race relations, poverty, civil rights, and urban life. Gordon Parks, one of the greatest photographers of the twentieth century, was a humanitarian with a deep commitment to social justice.